Coming-Home Still

Fun Fact Friday presents: “Coming Home” (1978), a film using cinematography to empower disabled veterans.

Fun Fact Friday brings you, our audience, facts and information sparking discussions related to “inclusion” as it intersects with disability, culture, and society.

This Weeks’ Fact:
In Hal Ashby’s Coming Home (1978), there are many early sequences taking place at a V.A. Hospital, where physically disabled Vietnam veterans are interacting with each other and taking part in sports related activities, such as basketball and football throwing. Cinematographer Haskell Wexler created a camera dolly that positioned the camera at the same level as the veterans, avoiding high camera angles used in past films to suggest a sense of vulnerability and powerlessness with a character (Norden 267-68).

Jonathan Bartholomy, RAFF Chicago Planning Committee Member

Watch the trailer and pay close attention to the camera angles used to portray Luke Martin (Jon Voight), a paralyzed Vietnam War veteran.

Disclaimer: Brief nudity. This film is rated R. 

Works Cited: Norden, Martin F. The Cinema of Isolation: A History of Physical Disability in the Movies.

RAFF Chicago runs from October 4-8, 2017. Follow us on Twitter and Facebook!!!

If you would like to get involved with RAFF Chicago please contact us at (773) 203-5039 or email Matt Lauterbach at matt@reelabilitieschicago.org

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